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One of the best places to catch a movie in Cleveland is Shaker Square Cinemas. Located at the lovely Shaker Square, the theater is a lovely throwback with a beautiful interior.
You might be wondering, "How much does a ticket cost?" Well, ticket prices are about par for any movie theater. Matinees cost $6.50 and evening shows cost $9. You'll want to park in the lot behind the theater. There's metered parking up front but it won't be enough time and it's very very hard to get.
Check out what's showing right now at their website.
2 Ekim 2012 Salı
Potpourri Fondue Restaurant: Mentor, OH
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If you're looking for fondue restaurants near Cleveland, check out Potpourri. It's located in Mentor which is just Northeast of the city. Potpourri Fondue Restaurant is one of the oldest fondue restaurants established in Ohio. A little on the pricey side, but very good.Their entire menu is available here.
Anyways, if you're not in Cleveland or just want to make fondue at home, you'll need the Fondue Bible. It's got amazing recipes for fondues like ginger beef and lime chicken. You can find it on Amazon:
Anyways, if you're not in Cleveland or just want to make fondue at home, you'll need the Fondue Bible. It's got amazing recipes for fondues like ginger beef and lime chicken. You can find it on Amazon:Also, because I can't help myself: Fondue for two! Fondue for two! Some hot dish!!! Fondue for two!
Baby Cakes Bakery
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Today I wandered in to Baby Cakes Bakery, which is a little cupcake shoppe across the street from Melt near the corner of Taylor and Cedar in Cleveland Heights.If you're looking for some amazing cupcakes in the Heights, this is where you should go!I got to talking with Kim (she's the middle one in the picture), the owner, about her business.
They've just moved Baby Cakes back to Cleveland Heights and they don't even have the sign up yet!
I asked them what they're famous for and they pointed me in the direction of the Pink Lemonade cupcake. It was delicious! Especially the frosting- it was tangy and sweet all at once, and the cupcake was super fluffy.Baby Cakes has 31 flavors including the Pink Lemonade, butter pecan, and more traditional flavors like chocolate and vanilla. The cupcakes cost $2.50 each and I only got one because they don't take credit cards (yet?).
Kim says she's been baking "forever"- she recalls baking tea cakes with her mom. Her mom actually coined the name for the shop because she used to call Kim "baby cakes" when she was little. Baby Cakes is family owned, and the family has always been in Ohio, so this is a great business to support!
Today I wandered in to Baby Cakes Bakery, which is a little cupcake shoppe across the street from Melt near the corner of Taylor and Cedar in Cleveland Heights.If you're looking for some amazing cupcakes in the Heights, this is where you should go!I got to talking with Kim (she's the middle one in the picture), the owner, about her business.
They've just moved Baby Cakes back to Cleveland Heights and they don't even have the sign up yet!
I asked them what they're famous for and they pointed me in the direction of the Pink Lemonade cupcake. It was delicious! Especially the frosting- it was tangy and sweet all at once, and the cupcake was super fluffy.Baby Cakes has 31 flavors including the Pink Lemonade, butter pecan, and more traditional flavors like chocolate and vanilla. The cupcakes cost $2.50 each and I only got one because they don't take credit cards (yet?).
Kim says she's been baking "forever"- she recalls baking tea cakes with her mom. Her mom actually coined the name for the shop because she used to call Kim "baby cakes" when she was little. Baby Cakes is family owned, and the family has always been in Ohio, so this is a great business to support!
It's all about the details ...
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If you feel like your Vera Bradley Store is unique, that's because it really is! They still carry the same products, of course, but the wallpaper, furniture, and other details are all especially coordinated to match the personality and character of the region in which it is located. I was able to see this last week when I attended the Beachwood Place store opening in Cleveland. Our Visual Merchandising team put together, as always, an outstanding display!
One tradition is the presence of an Ira Yeager painting behind the checkout counter. It all started when Co-founder Barbara Bradley Baekgaard lent one of the paintings from her personal collection to the Fort Wayne store at Jefferson Pointe. Ever since, the paintings have been a staple for each location's decor, and they are each hand selected by Barb and Anne, the Senior Visual Merchandising Creative Director.
One tradition is the presence of an Ira Yeager painting behind the checkout counter. It all started when Co-founder Barbara Bradley Baekgaard lent one of the paintings from her personal collection to the Fort Wayne store at Jefferson Pointe. Ever since, the paintings have been a staple for each location's decor, and they are each hand selected by Barb and Anne, the Senior Visual Merchandising Creative Director.
The Ira Yeager at Beachwood ... absolutely gorgeous!
Each Vera Bradley Store is also designed to look like someone's home, hence the comfy furniture, beautiful light fixtures and foyer. I found myself surprised by how effortless it all looked in person, especially knowing each store has it's own personality. The hope is that guests will walk in, feel comfortable and have a great experience.
This ottoman is my absolute favorite piece in the store, hands down.
This loveseat is perfect for husbands to relax on as their wives shop around ...
What a beautiful vanity, and I love the flowered wallpaper - such a nice touch!
The foyer, complete with red doors and a chandelier.
This stack of books and bunny lamp are in the middle of a display of Boysenberry bags, but they make it look just like it all belongs in someone's home!
The coffered ceiling, crown molding, and chandelier look amazing altogether ...
A hidden treasure that you can always find at Vera Bradley Stores is a beautiful restroom. I'm used to our impeccably decorated bathrooms in the Fort Wayne offices, but this was something I was pleasantly surprised by when I went to the Beachwood store, because I didn't expect it to be this cheery and adorable.
This lamp is just too cute for words ...
Surfing the Web ... It's all in a day's work.
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My main project for the summer is basically the dream of any soon-to-be job-seeking college student (like myself). I am working with Human Resources to research and develop a social media strategy for recruiting, observing what kind of cool new methods other companies are implementing. The best part of this job is that my research consists of looking at company websites, twitter accounts, LinkedIn profiles, facebook pages and YouTube accounts all day long. Lately, I’ve been too busy to keep up with my research, but now that our presentations are going to be here oh so soon (exactly two weeks from now) I have to make time so I can be fully prepared to explain what’s going on in the exciting world of recruitment.
Here is a little peek of what I’ve been working on …
twitter – Lots of companies are using their twitter feeds to publicize job openings in addition to sharing information about their culture or their employees, so I follow anyone and everyone from our main competitors to companies like Starbucks and Google. One thing I’ve learned: Recruiters love to tweet … all the time.
Here is a little peek of what I’ve been working on …
twitter – Lots of companies are using their twitter feeds to publicize job openings in addition to sharing information about their culture or their employees, so I follow anyone and everyone from our main competitors to companies like Starbucks and Google. One thing I’ve learned: Recruiters love to tweet … all the time.
So many tweets, so little time ...
YouTube – Some companies are using YouTube to promote their company culture and the organization by posting videos of company events and employee profiles showcasing what they love about their jobs. (How cool is that?!)
Since I’m a marketing major, all of this research is showing me how many different ways social media can be used for one company. Also, I will begin looking for my first post-grad job rather soon, and I’m learning how to be as thorough as possible when preparing for an interview. Most people long for the time to invest in this kind of research, and I’m lucky enough to have it be my job!
I couldn’t end this post without a shameless plug for Vera’s company culture or our open jobs … so check out the official Vera Bradley blog, Inside Stitch, for some fabulous posts about life at Vera Bradley, and be sure to stop by our Careers page to see what openings we have at our home office and in our retail stores!
1 Ekim 2012 Pazartesi
Fire Chakra and Midrift
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There is no end to the low art that muddies fury and splays to the floor lighting.
What else would do this. This is a model rage. A fucked demiangel. A ragged melt of paint feigning womanhood. What else is new. A painting in drag. A nipple to claim itself chick.
Oh, but it's old, you bastard. It doesn't count. (Plenty want the granny status - ask them. In their Scheile lips and Goya loins.)
So then hand out pink lipsticks from Kresge in hell, and call it even. Take them dancing with the she demons and play them Gershwin.
Let them fire dance it out of their groinish systems.
Artwork taken from artodyssey
What else would do this. This is a model rage. A fucked demiangel. A ragged melt of paint feigning womanhood. What else is new. A painting in drag. A nipple to claim itself chick.
Oh, but it's old, you bastard. It doesn't count. (Plenty want the granny status - ask them. In their Scheile lips and Goya loins.)
So then hand out pink lipsticks from Kresge in hell, and call it even. Take them dancing with the she demons and play them Gershwin.
Let them fire dance it out of their groinish systems.
Artwork taken from artodyssey
MERMAID AS METAPHOR (a beginning consideration from forkergirl's temporary fish eye lens advantage)
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fish eye lens advantage image from forkergirl's photostream
In this consideration of Mermaid as Metaphor, a point of entry and a point of departure (bifurcation hub) are formed by two elements brought together (in a range of manipulations) forming a third element that is a composite of the two (1 element plus 1 element = a 3rd element [1+1=3], as Rima pointed out in a limited forked multimedia story class). At this hub is a common depiction of mermaids in which two unrelated biological segments of two organisms are brought together in (primarily visual) unification usually depicted as horizontally split halves forming wholeness: a mermaid.
This (visual) wholeness is a form of marriage, an easily imagined evolutionary progression or regression of marriage. Though the one mermaid outcome of wholeness formation is usually offered, there are at least two composites that would emerge from each union in this imagined evolution or regression. Human upper body + fish lower body, and human lower body + fish upper body. This is an answer to where's the other halves? —the human lower body and the fish upper body? An example of this more complete merger outcome scenario supplies the horror factor of The Fly (1958). The human/fly hybrid is created when a teleportation experiment meant to be an exclusively human teleportation experiment becomes a human/insect teleportation experiment when a fly is discovered inside the teleportation chamber with the scientist when the experiment is already underway and no one is there to stop the experiment. Though the human/fly hybrid is an unintended outcome, that the hybrid is an outcome indicates a form of successful, if horrifying, biological union. The film features both composite forms: human body with fly head/hand and fly body with human head/hand. Once the hybrids emerged, the assumption was that capturing the fly body/human head composite and repeating the experiment with both hybrid outcomes in the chamber, would restore the human and the fly to pre-composite forms though other possibilities would have been as likely had the fly body/human head variation not been snared in a web of spider for whom the genetic modifications of the humanized insect changed nothing.
A cautionary tale, to be sure. A scientist accused of playing God to be sure.
Though I hesitate the use the term, this serves, in part, as a, well, deconstruction of the mermaid metaphor. It is a closer look inside what is and isn't occurring in the architecture of the metaphor that a mermaid is, and simultaneously is an invitation to explore what can happen/is happening inside other metaphors, using the outcomes of those explorations to establish other opportunities and forms of expression: the making of other poams (products of acts of making).
In popular depictions of mermaids, biological segments contributed by the human and by the (unspecified species of) fish seem interchangeable, largely because each segment apparently remains intact with crossover of fish into human, human into fish. The fish and human portions of a mermaid hybrid system could be separated easily. It is obvious where to cut. The human and fish segments seem closed systems stitched together (or in some other way held in place) superficially. The forming of human/fish composites seems exceedingly neat with a well-defined boundary separating fish function and appearance from human function and appearance. No transgression of species apparently occurs; nothing, well, fishy in the merger. Mermaids, rather, seem models of respect for species purity despite their being linked. No tinkering with the actual DNA as human DNA and fish genetic code don't mix, but instead exist side-by side. Good neighbors who share much, but not everything. Good spouses who share much but not everything.
If a deeper connection is considered, the external division and separation of fish and human raises questions about function, form, and layout of internal organs. Just how is the mermaid metaphor creature mapped internally? Surely anatomical mingling occurs, or it is difficult to imagine viability of this trans-species as a species distinct from human and fish with its own biological frameworks and systems; the fish, in the more frequent ichthyological bottom half mermaid configuration, would have no heart, no brain, no circulation of human blood in fish areas. If the halves are stitched together superficially and not integrated into a single being, each half would then need separate and contained systems of respiration, systems of ingestion, systems of excretion, etc. A romanticized depiction (and why not such a depiction!) of mermaids does not support contamination of the beautiful, usually, woman, with fishiness. Indeed, the mermaid might even be a purer form of woman for rejecting genitalia in favor of fishtail; with breasts, she may suckle a child and could even seem, depending on who's constructing the idea system, nearly as wholesome and good as Mary, Mother of Christ. In this wonderful anatomical chart (to the right) of a mermaid from gearfuse.com, the internal revelation is still decidedly human in keeping with the biological structure of most mermaids; no doubt a common or typical mermaid is dissected in the well-imagined image of mermaid reality wherever it exists, in imagination, gaming, and/or virtual worlds, for instance. Mermaid Diaries is a blog all about a little mermaid named Natalia Zelmanov and her adventures in second life. Below is a video of a Spore mermaid followed by a video of a Second Life mermaid show:
The common mermaid is uncomplicated, unproblematic in biological terms. She (usually) looks good,
and, in keeping with her fish contribution, is an excellent catch.
Consideration of shared biological functioning is not meant to discredit the mythic or aesthetic function of mermaid systems, and certainly does not undermine an ability of imagination to overcome problems of mermaid existence within shared physical realities. That closed biological and chemical systems can align themselves without sharing structures or circulation, may give a nod to some of the power of imagination as part of the glue maintaining the human/fish alignment. Not that everyone can (or should) use imagination in tis manner; what I refer to as imagination may be referred to differently in other cultural and/or belief systems that configure reality differently, including religions in which what some might consider supernatural is real; prayer connects a human mortal reality with a divine system of existence; prayer and belief function as bridges between these configurations.
It is quite odd, I think, that more mingling apparently does not occur at the juncture of fish and human in a mermaid system of co-dependency to be one being, one creature; why not more raggedness as these halves struggle to come together? In the production of mermaids, if something is occurring biologically, why not more evidence of mutation in the manipulation of humans and fish to produce mermaids? Where are the failures? Where are the monsters of human/fish alliances? Where are the other creature from black lagoons (gill-men) and other evolutionary missing links along the evolutionary road to mermaid? What is it about certain environments that seem to encourage emergence of human/fish hybrids? So much perfection! —similar, it seems (sorry for a lack of statistics) to a rate of perfection in production of angels or other beings embodying some human elements and some divine elements. Something in imagination apparently overcomes potential conflict in human and fish unions —did not George W. Bush say that he hoped the human and the fish could coexist peacefully? In configuring scenarios of this coexistence, some of that peaceful cohabitation would exist within a single body, half human, half fish; the bi-species creature practicing a form of political correctness in blending —indeed, Bush's statement could be construed as a call for transspecies experimentation, phase one focusing on human and fish peacful coexistence scenarios.
Had W seen Shiloh Pepin on a Discovery Channel documentary (Mermaid Girl) when he said that?
Did he realize that there was such a condition as sirenomelia, that humans were sometimes born with their legs fused in a disease commonly called mermaid syndrome, a challenging coexistence that might look peaceful? What hope for the future of humans did he foresee in improving human/fish coexistence? What's in that enhanced coexistence for Americans? for democracy? for capitalism?
In written metaphor also things come together with suspicious ease, perhaps in part because of familiarity with a long history of mythical part human creatures from ancient, classical, and sacred texts ; indeed, even Jesus Christ is a half-human outcome of a human/divine union. Evolutions occur inside metaphor; there is a journey from something to something, and details of the journey are seldom mapped. Mapping of what occurs inside metaphor could be quite revelatory and could lead to other revelatory forms of making, thinking, and/or understanding. To the left, Gort becomes The Stig, and to the right, Sambo becomes Obama in two metaphork evolutions by forkergirl. Much, much (compelling and exciting, among other forms of work) remains to be done.
fish eye lens advantage image from forkergirl's photostreamIn this consideration of Mermaid as Metaphor, a point of entry and a point of departure (bifurcation hub) are formed by two elements brought together (in a range of manipulations) forming a third element that is a composite of the two (1 element plus 1 element = a 3rd element [1+1=3], as Rima pointed out in a limited forked multimedia story class). At this hub is a common depiction of mermaids in which two unrelated biological segments of two organisms are brought together in (primarily visual) unification usually depicted as horizontally split halves forming wholeness: a mermaid.
This (visual) wholeness is a form of marriage, an easily imagined evolutionary progression or regression of marriage. Though the one mermaid outcome of wholeness formation is usually offered, there are at least two composites that would emerge from each union in this imagined evolution or regression. Human upper body + fish lower body, and human lower body + fish upper body. This is an answer to where's the other halves? —the human lower body and the fish upper body? An example of this more complete merger outcome scenario supplies the horror factor of The Fly (1958). The human/fly hybrid is created when a teleportation experiment meant to be an exclusively human teleportation experiment becomes a human/insect teleportation experiment when a fly is discovered inside the teleportation chamber with the scientist when the experiment is already underway and no one is there to stop the experiment. Though the human/fly hybrid is an unintended outcome, that the hybrid is an outcome indicates a form of successful, if horrifying, biological union. The film features both composite forms: human body with fly head/hand and fly body with human head/hand. Once the hybrids emerged, the assumption was that capturing the fly body/human head composite and repeating the experiment with both hybrid outcomes in the chamber, would restore the human and the fly to pre-composite forms though other possibilities would have been as likely had the fly body/human head variation not been snared in a web of spider for whom the genetic modifications of the humanized insect changed nothing.
Though I hesitate the use the term, this serves, in part, as a, well, deconstruction of the mermaid metaphor. It is a closer look inside what is and isn't occurring in the architecture of the metaphor that a mermaid is, and simultaneously is an invitation to explore what can happen/is happening inside other metaphors, using the outcomes of those explorations to establish other opportunities and forms of expression: the making of other poams (products of acts of making).
In popular depictions of mermaids, biological segments contributed by the human and by the (unspecified species of) fish seem interchangeable, largely because each segment apparently remains intact with crossover of fish into human, human into fish. The fish and human portions of a mermaid hybrid system could be separated easily. It is obvious where to cut. The human and fish segments seem closed systems stitched together (or in some other way held in place) superficially. The forming of human/fish composites seems exceedingly neat with a well-defined boundary separating fish function and appearance from human function and appearance. No transgression of species apparently occurs; nothing, well, fishy in the merger. Mermaids, rather, seem models of respect for species purity despite their being linked. No tinkering with the actual DNA as human DNA and fish genetic code don't mix, but instead exist side-by side. Good neighbors who share much, but not everything. Good spouses who share much but not everything.
If a deeper connection is considered, the external division and separation of fish and human raises questions about function, form, and layout of internal organs. Just how is the mermaid metaphor creature mapped internally? Surely anatomical mingling occurs, or it is difficult to imagine viability of this trans-species as a species distinct from human and fish with its own biological frameworks and systems; the fish, in the more frequent ichthyological bottom half mermaid configuration, would have no heart, no brain, no circulation of human blood in fish areas. If the halves are stitched together superficially and not integrated into a single being, each half would then need separate and contained systems of respiration, systems of ingestion, systems of excretion, etc. A romanticized depiction (and why not such a depiction!) of mermaids does not support contamination of the beautiful, usually, woman, with fishiness. Indeed, the mermaid might even be a purer form of woman for rejecting genitalia in favor of fishtail; with breasts, she may suckle a child and could even seem, depending on who's constructing the idea system, nearly as wholesome and good as Mary, Mother of Christ. In this wonderful anatomical chart (to the right) of a mermaid from gearfuse.com, the internal revelation is still decidedly human in keeping with the biological structure of most mermaids; no doubt a common or typical mermaid is dissected in the well-imagined image of mermaid reality wherever it exists, in imagination, gaming, and/or virtual worlds, for instance. Mermaid Diaries is a blog all about a little mermaid named Natalia Zelmanov and her adventures in second life. Below is a video of a Spore mermaid followed by a video of a Second Life mermaid show:and, in keeping with her fish contribution, is an excellent catch.
Consideration of shared biological functioning is not meant to discredit the mythic or aesthetic function of mermaid systems, and certainly does not undermine an ability of imagination to overcome problems of mermaid existence within shared physical realities. That closed biological and chemical systems can align themselves without sharing structures or circulation, may give a nod to some of the power of imagination as part of the glue maintaining the human/fish alignment. Not that everyone can (or should) use imagination in tis manner; what I refer to as imagination may be referred to differently in other cultural and/or belief systems that configure reality differently, including religions in which what some might consider supernatural is real; prayer connects a human mortal reality with a divine system of existence; prayer and belief function as bridges between these configurations.
It is quite odd, I think, that more mingling apparently does not occur at the juncture of fish and human in a mermaid system of co-dependency to be one being, one creature; why not more raggedness as these halves struggle to come together? In the production of mermaids, if something is occurring biologically, why not more evidence of mutation in the manipulation of humans and fish to produce mermaids? Where are the failures? Where are the monsters of human/fish alliances? Where are the other creature from black lagoons (gill-men) and other evolutionary missing links along the evolutionary road to mermaid? What is it about certain environments that seem to encourage emergence of human/fish hybrids? So much perfection! —similar, it seems (sorry for a lack of statistics) to a rate of perfection in production of angels or other beings embodying some human elements and some divine elements. Something in imagination apparently overcomes potential conflict in human and fish unions —did not George W. Bush say that he hoped the human and the fish could coexist peacefully? In configuring scenarios of this coexistence, some of that peaceful cohabitation would exist within a single body, half human, half fish; the bi-species creature practicing a form of political correctness in blending —indeed, Bush's statement could be construed as a call for transspecies experimentation, phase one focusing on human and fish peacful coexistence scenarios.
Had W seen Shiloh Pepin on a Discovery Channel documentary (Mermaid Girl) when he said that?
Did he realize that there was such a condition as sirenomelia, that humans were sometimes born with their legs fused in a disease commonly called mermaid syndrome, a challenging coexistence that might look peaceful? What hope for the future of humans did he foresee in improving human/fish coexistence? What's in that enhanced coexistence for Americans? for democracy? for capitalism?
In written metaphor also things come together with suspicious ease, perhaps in part because of familiarity with a long history of mythical part human creatures from ancient, classical, and sacred texts ; indeed, even Jesus Christ is a half-human outcome of a human/divine union. Evolutions occur inside metaphor; there is a journey from something to something, and details of the journey are seldom mapped. Mapping of what occurs inside metaphor could be quite revelatory and could lead to other revelatory forms of making, thinking, and/or understanding. To the left, Gort becomes The Stig, and to the right, Sambo becomes Obama in two metaphork evolutions by forkergirl. Much, much (compelling and exciting, among other forms of work) remains to be done.
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